Films and Filmmakers of the French New Wave
This course was available in the past and may be presented again as part of the Open Enrollment curriculum.
This course is a comprehensive introduction to the work of filmmakers associated with the Nouvelle Vague in France: those who began their careers as film critics writing for Cahiers du Cinéma; the so-called Left Bank directors; and others associated with the movement.
Course Outline
The films for the course are available to stream on Amazon Prime, or on the Criterion Channel. In addition to the films selected for viewing, we will also read and discuss selected criticism and reviews published in Cahiers du Cinéma by filmmakers who began their careers as critics for the journal. These articles will be posted to canvas as pdf files.
Week One: Jean-Luc Godard, Breathless, 1960; Contempt, 1963
Week Two: François Truffaut, The 400 Blows, 1959; Jules and Jim, 1962
Week Three: Alain Resnais, Hiroshima, Mon Amour, 1959; Last Year at Marienbad, 1961
Week Four: Lois Malle, Elevator to the Gallows, 1958; The Fire Within, 1963
Week Five: Jacques Demy, Lola, 1961; The Umbrellas of Cherbourg, 1964; Young Girls of Rochefort, 1967; Model Shop, 1969)
Week Six: Claude Chabrol, Six in Paris, 1965; Jacques Rivette, Paris Belongs to Us, 1961
Week Seven: Éric Rohmer, Le Signe du Lion, 1962 or La Collectionneuse, 1967; Agnes Varda, La Pointe Courte, 1955 or Le Bonheur, 1965; Chris Marker. La Jetée, 1962
Week Eight: Jean-Pierre Melville, Two Men in Manhattan, 1959; La Samourai, 1967
Notes
Note
Deadline for Online Registration: Thursday, September 23 at 5 pm CT
Remote courses require you to login to Canvas to access the Zoom Classroom. You will receive an invitation to join Canvas about a week before your course begins. Please visit the Liberal Arts Student Resources page to find step by step instructions for Canvas and Zoom: Online Learning Resources